Artist Richard Long's groundbreaking A line made by walking, This is not a pipe - Magritte's most famous painting, Choi Jeong Hwa's gigantic breathing lotus flowers, Fernand Léger's The city - The story behind this painting, You have never seen a church window like this - Gerhard Richter. La exposición se mostraba en Madrid y en la Fundación Joan Miró, Barcelona, bajo el título “Jesús Rafael Soto: Obres recents”, entre los meses de febrero y mayo de 1982(“Penetrable”, 1982. The original chartreuse… Unlike most works of art in museums, you can touch this piece. Portret Jesús Rafael Soto. August 2020. Jesús Rafael Soto, Houston Penetrable, 2004-2014, estructura de aluminio lacada, tubos de PVC, tinta serigráfica con base de agua. The 24,000 PVC (polyvinyl chloride) tubes, individually hand-painted and tied, hang two stories high from the ceiling to the floor in the Museum's Cullinan Hall. Jesús Rafael Soto, Penetrable BBL Bleu, 1999/2007 (Edition AVILA 2007; edition 8/8), painted steel and suspended polyvinyl chloride (PVC) tubes, three size configurations (1) 143 11/16 × 177 1/8 × 236 3/16 in. Intended to be touched, handled, and waded through, the strands compose a floating yellow orb on a transparent background. He achieved this by creating his Penetrable series. Lacquered aluminum structure, PVC tubes, and water-based silkscreen ink. Né en 1923 Ciudad Bolivar, Soto s’est formé au Venezuela, puis s’est installé à Paris en 1950 où il a vécu toute sa vie mais en conservant un … Soto gezien door Lothar Wolleh. He befriended world-known artists who made it very easy for him to achieve a lot along the way. Used by permission. “The Houston Penetrable brings Soto’s playground indoors, with a fully sensorial experience of light and color.” Most visited arts non-profit online. This immersive, kinetic environment was designed by Soto on commission from the Museum in 2004 and has taken almost a decade to produce. This interactive aspect sets it apart from many works presented within museum settings, in which objects are not meant to be touched. Jesús Rafael Soto was a Venezuelan artist known for his kinetic sculptures and large-scale installations. Used by permission. Please join us on Pinterest, YouTube or Instagram. Projects in 102 countries. cit. Jesús Rafael Soto, The Houston Penetrable, 2004-14. As the work’s title implies, the architecturally scaled structure is intended to be pierced both optically and physically by the viewer. Penetrable // Jesús Rafael Soto // 1990 // Colección Patricia Phelps de Cisneros Looking at the neon yellow tubes hanging from a metal crate outside LACMA, all I could think of is how I want to run my fingers through the noodles. He mostly worked on creating abstract geometric paintings among other things until the development of his Pénétrables, which he made about 30 in his lifetime. 2004–2014. 23 . In May of 2014, The Museum of Fine Arts, Houston unveiled the final work of the Venezuelan maestro Jesús Rafael Soto. Like Alexander Calder and George Rickey, Soto’s delicate and responsive constructions react to external stimuli and changes in the atmosphere, as seen in his work Penetrable (1990). Public. ; (2) 143 11/16 × 177 1/8 × 393 11/16 in. Jesús Rafael Soto – Pénétrable BBL bleu, 1999, installation view, Espace Louis Vuitton Tokyo, Tokyo, Japan, Dec 2018 to May 2019 Jesús Rafael Soto – Cube de Paris , 1990, Aluminium, nylon, 300 x 200 x 200 cm (118 1/8 x 78 3/4 x 78 3/4 inch), photo: CC BY-SA 2.0 by Groume His works were satisfactory to some degree. LOS ANGELES, CA.- The Los Angeles County Museum of Art announces the acquisition of Jesús Rafael Soto’s Penetrable BBL Bleu (1999/2007). 1997 350 x 400 x 300 cm ferro, tubi in alluminio di vari diametri da 2 a 10 cm. [button style="btn-default btn-lg" align="center" type="link" target="false" title="Back to project page" link="https://publicdelivery.org/silence-was-golden/" linkrel=""], [button style="btn-default btn-lg" align="center" type="link" target="false" title="About the project" link="https://publicdelivery.org/silence-was-golden/" linkrel=""] Born in 1923 in Ciudad Bolivar, Soto remained in Venezuela for his formative years, before moving to Paris in 1950 where he would remain for the rest of his life, while keeping a workshop in Caracas from 1975 onwards. Core ideas for them as “ a Universe filled with Relationships. ” et ses installations optiques géantes collaboration the. Tinta serigráfica con base de agua was designed by Soto on commission from the Museum Fine... 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